Contents of Back Issues of Eizogaku
《ICONICS Japanese Edition》Nos.1-20
No.1, 1975
Articles
ASANUMA Keiji／Structure fondamentale de la signification de l’image
GOTO Kazuhiko／For the Semiotics of TV Image
SATO Tadao／”Up” and “Down” in Kenji MIZOGUCHI’s Films
NAKAHARA Yusuke／A Note in Respect to the Fine Arts and Photograph
Book Review
OGASAHARA Takao／Domique NOGUEZ(ed.), Cinéma: théorie, lectures
No.2, 1975
Articles
HIWATASHI Kenji／Perception and Recognition for Pictorial Images：Problems of the Pictorial Imaging System in Engineering Point of View
SAGA Hiroo／On the Meaning Processes of Pictures and Word
KONDO Hisaya／The Confusion in the Form of Expression of Television through Innovation
ANDO Kotaro／Discourse on Museum Images
Book Review
TADA Toshibumi／Jean PIAGET et Bärbel INHELDER, L’image mentale chez l’enfant
OKADASusumu／Francis COURTADE et Pierre CADARS, Histoire du cinéma nazi
No.3, 1976
Articles
OKADA Susumu／Camera and Image
HAZUMI Shigehiko／Portrait de l’artiste en photographe
HASUMI Shigehiko／Portrait de l’artiste en photographe
SUGIYAMA Heiichi／The Expression of Shape
YAMAMOTO Toyotaka／Image and Technology
Book Reviews
FUJITA Motohiko／Tsutomu TAKENAKA, Nihon Eiga Judan（vol.1 & vol.2）
No.4, 1976
Articles
ASANUMA Keiji, OKADA Susumu, NOZAKI Shigeru, HATANO Tetsuro, MATSUMOTO Toshio／On the Road toward Iconics
USHIYAMA Junichi／Our Ethnographic Film
WATANABE Jun／About Image as a Spectacle
Report
KANAMARU Shigene, GOTO Kazuhiko, ISHIKAWA Hiroyoshi, OGI Masahiro／Investigation: What is Iconics?
Book Reviews
SHIGEMORI Koen／KUWABARA Kineo, Watashino Shashin shi
OGASAHARA Takao／Gilbert Cohen-SEAT, Essai sur les principes d’une philosophie du cinéma (1)
No.5, 1977
Articles
IWAMOTO Kenji／Russian Formalists and Cinema
KOIKE Kazuo／Conversation with a Friend
YOSHIZUMI Takeshi／Image and new Technologies
KOBAYASHI Hakudo／Playing video Catch Rather than Home Runs
Book Reviews
GOTO Kazuhiko／Paddy CHAYEFSKY, Television play; 1955
OGASAHARA Takao／Gilbert COHEN-SÉAT, Essai sur les princips d’une philosophie du cinéma (2)
No.6, 1977
Articles
OGASAHARA Takao／Notes pour une filmologie
MOROI Makoto／Music and Image
KATO Fumikazu／Audio Visual Education and OHP
YOSHIOKA Toshio／Frames and Framing
FUKAI Jun, NISHUMURA Shigeto／Problems of our Documentary Film
TAJIMA Ryoichi／Influence of Kafu NAGAI on Kenji MIZOGUCHI
YOSHIZUMI Takeshi／Structural Study of Esthetic Perception by Computer Film
SUGIYAMA Heichi／Image and Linguistic Expression
Report
OBATA Akira／VTR Creeative Report
No.7, 1977
Articles
YAGI Nobutada／Comparative Study of EDISON’s and LUMIÈRE’s Inventions
YAMASHITA Isamu／Film, TV and V.T.R.
HOZUMI Eiji／Inquiry on the Relationship between Image and Color
TAKAMURA Kurataro／A Big Little Problem in Japanese Film
YAMAMOTO Toyotaka／Historical Records for the Study of the British Motion Picture
OKADA Susumu／The “Image” and “Visual Anthropology”
No.8, 1978
Articles
HAYAMA Komei／Computer Animation
TOGAWA Naoki／On Norman MACLAREN
HAYASHI Joji／Limites Animation
IKEDA Hiroshi／The Technique of Animation, Standard of “Layout”
TSUKIOKA Sadao／Animation：A Study of Movement
OKAMOTO Tadanori／Problems of Animated Film Production
TANAKA Junichiro／A Short History of Japanese Animated Film (1)
No.9, 1978
Articles
WATANABE Jun, ASANUMA Keiji, MATSUMOTO Toshio, OKADA Susumu, YAMADA Soboku／Symposium: Signification Purpose of Visual Communication
HIRANO Tetsuo／Research in Photography for Purposes of Visual Communication
IMAI Shigeru／Investigation of Social Image in Graphic Design Education
INAGAKI Eiichi／On Narrative StructureFFrom Theme to Texti1j
NAGATA Shozo／Dramas and FilmsFThe Dramatic Element
OKADA Susumu／Object and Background in Images
TAKEI Kunihiko／Research on Seeing
YAGI Nobutada／Lumière Brothers and the Cinématograph
YOSHIZUMI Ken／Structual Fuctions of Image
NAKAJIMA Takeshi／Video Earth Movement: Mini Correspondence
Richard VARNER／Coworks – VTR
NAKAGAWA Kunihiko／Film, La plage à distance (Hamabe harukani) et La plage de Alain ROBBE-GRILLET
No.10, 1978
Articles
IMAI Shigeru／A geneology of American Documentary Photography
TSUKAHARA Takuya／Object, Image and Spirit
SAWAMOTO Noriyoshi／The Advent and Development of Neue-Fotokunst
OZAWA Takeshi／The Daguerreotype in Japan
Stephen A. BENTON／Holography：The Second Decade
MIURA Senzo／What is Holography?
No.11, 1978
Articles
The Mechanism of Slapstic：A Meaning of Baster KEATON’s The Haunted House
YOKOTA Masao／An Experimental Investigation on Cognition of Changes of Camera Posision in Cinema (1)
SHIMOOKA Shigeru／Multi-Creative
OKADA Susumu／Semiologie du Miroir
TANAKA Junichiro／A Short History of the Japanese of Animated Film (2)
INAGAKI Eiichi／On Narrative Structure：From Theme to Text (2)
No.12, 1979
Articles
IWAMOTO Kneji／EISENSTEIN and Psychology
YOKOTA Masao／An Experimental Investigation on Cognition of Camera Position in Cinema (2)
SAEKI Tomonori／A Comparative Analysis of MIZOGUCHI’s Two Films： Taki no shiraito and Naniwa eregii
HAYASHI Joji／Film Techniques to Make Intelligential Appeals to the Spector： Case of the Japanese Animated Cartoons
IWATA Akio／Analystic Thinking over KEATON’s Gags in his Movie
No.13, 1979
Articles
NAKAMURA Zenichi, Susumu OKADA, Takeshi YOSHIZUMI／Urban City as a Visual Environment
MATSUMOTO Toshio／Physical Formation System Relating to the Experience of Image
MORISHITA Akihiko／Problèmes du mouvement dans l’image filmique
TOYOHARA Masatomo／A Study of Formative Image Cognition
OGASAHARA Takao／A propos de la narrativité au cinéma
SATO Masaru／Role of Design in Man-Made Environment
IMAI Shigeru／Image of a Plaza: Introduction
SHIGEMORI Koen／On Naotaro TAKANO, The Photographer
FUKAI Jun^On L’annŽe derniŽre ‡ Marienbad
NAKAGAWA Kunihiko／Pour lire ROBBE-GRILLET
Richard VARNER／Software and the Role of the Recipient
Jørgen Aske N. DAM／A New Concept in Video Softwear
AOYAGI Fusaji／The Effective Best Resolving Power Point and Magnifications on Close-up and Macro-photography
Report
HIRANO Tetsuro／Study on Photography for Visual Communication (2)
No.14, 1979
Articles
SAGA Hiroo／A Measurement of Reception Structure of Pictorial Message
KOMATSU Hiroshi／On Film Study：Phenomenological Approach (1)
YOKOTA Masao／An Experimental Investigation on Cognition of Changes of Camera Position in Cinema (3)
YOSHIZUMI Takeshi／Paul SHARIT’s Cinematics-Model
Report
HIRANO Kyoko／Image and Sound
No.15, 1980
Article
TOGAWA Naoki／Witness on John GRIERSON
KOMATSU Hiroshi／On Film Study：Phenomenological Approach (2)
Janet ASHBY III／The Otoko wa tsuraiyo Series of Films and Japanese Society (1)
Report
TAJIMA Ryoichi／A propos du double
Book Review
HAYASHI Jyoji／Books on Animation Film
No.16, 1980
Articles
ASANUMA Keiji, KONDO Kojin, OBA Seiichi, YOSHIZUMI Takeshi, MATSUMOTO Toshio／Image in the Technological Society
OKAMURA Ikuo／Image Science in Ecological Environment
SHIGEMORI Koen／Photographic Image as an Animistic Incantation
Richard E. VARNER／Hi-Ovis and Hi-Cat：A Comparative Study
INA Shinsuke／On Michael SNOW’s Film Work, Wavelength
NAKAMURA Koichi／Color and Meaning in the Cinema：EISENSTEIN’s Theory of Color
OKADA Susumu／The Time-Space Continuum of Image
MAEDA Tatsuo／On Television Images
YOSHIZUMI Takeshi／Video Art by Digital Image-processing System
OYOBIKAWA Mitsuru／Comparative Imago-Semiology：On the System of Image Sciences and New Total Systems of Studies
YOKOTA Masao／Investigation of Mental Rotation of Spatially Arranges Objects (4)
AOYAGI Fusaji／The Application of KATZ’s Equality
Report
HIRANO Tetsuro／Study on Photography for Visual Communication (3)
No.17, 1980
Articles
DEGUCHI Takehito／Towars the History of Color Films (1)
OMAE Tsuyoshi／An Essay on ANTONIONI’s Eye
NISHIKAWA Susumu／Films and Music
Janet ASHBY／The Otoko wa tsuraiyo Series of Films and Japanese Society (2)
Report
MURAYAMA Kyoichiro／The Method of the Film Analysis in France (1)
Book Reviews
Richard VARNER／Books on Video
OKAMURA Masaru／Richard TAYLOR, Film Propaganda: Soviet Russia and Nazi Germany
No.18, 1980
Articles
KONDO Kojin／La vision vide
KOYAMA Masazumi／Note of “Japanisch”
INOUE Masayoshi／Mythology of Photography
Report
MURAYAMA Kyoichiro／The Method of the Film Analysis in France (2)
Book Review
MANABE Shinsei／Daniel ARIJON, Grammar of the Film Language
No.19, 1981
Articles
TAKAYANAGI Kenjiro／The Beginning of Television Studies in Japan
YOSHIOKA Toru／A Study of the Subjective Color
DEGUCHI Takehito／Toward The History of Color Films (2)
MORISHITA Akihiko／Image-Art and Everydayness of Media
OYOBIKAWA Mitsuru／La théorie du contre-réalisme (1)
No.20, 1981
Articles
IMAI Kiyoshi, ASANUMA Keiji, SUGIYAMA Heiichi, NITTA Hiroe, HATANO Tetsuro／Symposium: Photo-cinematographic IMAGE and Beauty
ITO Shiei／About Electrovision
MAJIMA Masaomi／Modern History of Mass Publicity Operations：Analysis of Social Effects of Video Information
YAMADA Kohei／Before EISENSTEIN
MATSUMOTO Toshio／The Structure of Esthetic Function and its Principle of Activation
Reports
HIRANO Tetsuro／Study on Photography for Visual Communication (4)
OYOBIKAWA Mitsuru／A Semantic Table of Imago-Semion
