Nos.1-20(1975~1981.5)

Contents of Back Issues of Eizogaku
《ICONICS Japanese Edition》Nos.1-20


No.1, 1975

Articles
ASANUMA Keiji/Structure fondamentale de la signification de l’image
GOTO Kazuhiko/For the Semiotics of TV Image
SATO Tadao/”Up” and “Down” in Kenji MIZOGUCHI’s Films
NAKAHARA Yusuke/A Note in Respect to the Fine Arts and Photograph
Book Review
OGASAHARA Takao/Domique NOGUEZ(ed.), Cinéma: théorie, lectures


No.2, 1975

Articles
HIWATASHI Kenji/Perception and Recognition for Pictorial Images:Problems of the Pictorial Imaging System in Engineering Point of View
SAGA Hiroo/On the Meaning Processes of Pictures and Word
KONDO Hisaya/The Confusion in the Form of Expression of Television through Innovation
ANDO Kotaro/Discourse on Museum Images
Book Review
TADA Toshibumi/Jean PIAGET et Bärbel INHELDER, L’image mentale chez l’enfant
OKADASusumu/Francis COURTADE et Pierre CADARS, Histoire du cinéma nazi


No.3, 1976

Articles
OKADA Susumu/Camera and Image
HAZUMI Shigehiko/Portrait de l’artiste en photographe
HASUMI Shigehiko/Portrait de l’artiste en photographe
SUGIYAMA Heiichi/The Expression of Shape
YAMAMOTO Toyotaka/Image and Technology
Book Reviews
FUJITA Motohiko/Tsutomu TAKENAKA, Nihon Eiga Judan(vol.1 & vol.2)


No.4, 1976

Articles
ASANUMA Keiji, OKADA Susumu, NOZAKI Shigeru, HATANO Tetsuro, MATSUMOTO Toshio/On the Road toward Iconics
USHIYAMA Junichi/Our Ethnographic Film
WATANABE Jun/About Image as a Spectacle
Report
KANAMARU Shigene, GOTO Kazuhiko, ISHIKAWA Hiroyoshi, OGI Masahiro/Investigation: What is Iconics?
Book Reviews
SHIGEMORI Koen/KUWABARA Kineo, Watashino Shashin shi
OGASAHARA Takao/Gilbert Cohen-SEAT, Essai sur les principes d’une philosophie du cinéma (1)


No.5, 1977

Articles
IWAMOTO Kenji/Russian Formalists and Cinema
KOIKE Kazuo/Conversation with a Friend
YOSHIZUMI Takeshi/Image and new Technologies
KOBAYASHI Hakudo/Playing video Catch Rather than Home Runs
Book Reviews
GOTO Kazuhiko/Paddy CHAYEFSKY, Television play; 1955
OGASAHARA Takao/Gilbert COHEN-SÉAT, Essai sur les princips d’une philosophie du cinéma (2)


No.6, 1977

Articles
OGASAHARA Takao/Notes pour une filmologie
MOROI Makoto/Music and Image
KATO Fumikazu/Audio Visual Education and OHP
YOSHIOKA Toshio/Frames and Framing
FUKAI Jun, NISHUMURA Shigeto/Problems of our Documentary Film
TAJIMA Ryoichi/Influence of Kafu NAGAI on Kenji MIZOGUCHI
YOSHIZUMI Takeshi/Structural Study of Esthetic Perception by Computer Film
SUGIYAMA Heichi/Image and Linguistic Expression
Report
OBATA Akira/VTR Creeative Report


No.7, 1977

Articles
YAGI Nobutada/Comparative Study of EDISON’s and LUMIÈRE’s Inventions
YAMASHITA Isamu/Film, TV and V.T.R.
HOZUMI Eiji/Inquiry on the Relationship between Image and Color
TAKAMURA Kurataro/A Big Little Problem in Japanese Film
YAMAMOTO Toyotaka/Historical Records for the Study of the British Motion Picture
OKADA Susumu/The “Image” and “Visual Anthropology”


No.8, 1978

Articles
HAYAMA Komei/Computer Animation
TOGAWA Naoki/On Norman MACLAREN
HAYASHI Joji/Limites Animation
IKEDA Hiroshi/The Technique of Animation, Standard of “Layout”
TSUKIOKA Sadao/Animation:A Study of Movement
OKAMOTO Tadanori/Problems of Animated Film Production
TANAKA Junichiro/A Short History of Japanese Animated Film (1)


No.9, 1978

Articles
WATANABE Jun, ASANUMA Keiji, MATSUMOTO Toshio, OKADA Susumu, YAMADA Soboku/Symposium: Signification Purpose of Visual Communication
HIRANO Tetsuo/Research in Photography for Purposes of Visual Communication
IMAI Shigeru/Investigation of Social Image in Graphic Design Education
INAGAKI Eiichi/On Narrative StructureFFrom Theme to Texti1j
NAGATA Shozo/Dramas and FilmsFThe Dramatic Element
OKADA Susumu/Object and Background in Images
TAKEI Kunihiko/Research on Seeing
YAGI Nobutada/Lumière Brothers and the Cinématograph
YOSHIZUMI Ken/Structual Fuctions of Image
NAKAJIMA Takeshi/Video Earth Movement: Mini Correspondence
Richard VARNER/Coworks – VTR
NAKAGAWA Kunihiko/Film, La plage à distance (Hamabe harukani) et La plage de Alain ROBBE-GRILLET


No.10, 1978

Articles
IMAI Shigeru/A geneology of American Documentary Photography
TSUKAHARA Takuya/Object, Image and Spirit
SAWAMOTO Noriyoshi/The Advent and Development of Neue-Fotokunst
OZAWA Takeshi/The Daguerreotype in Japan
Stephen A. BENTON/Holography:The Second Decade
MIURA Senzo/What is Holography?


No.11, 1978

Articles
The Mechanism of Slapstic:A Meaning of Baster KEATON’s The Haunted House
YOKOTA Masao/An Experimental Investigation on Cognition of Changes of Camera Posision in Cinema (1)
SHIMOOKA Shigeru/Multi-Creative
OKADA Susumu/Semiologie du Miroir
TANAKA Junichiro/A Short History of the Japanese of Animated Film (2)
INAGAKI Eiichi/On Narrative Structure:From Theme to Text (2)


No.12, 1979

Articles
IWAMOTO Kneji/EISENSTEIN and Psychology
YOKOTA Masao/An Experimental Investigation on Cognition of Camera Position in Cinema (2)
SAEKI Tomonori/A Comparative Analysis of MIZOGUCHI’s Two Films: Taki no shiraito and Naniwa eregii
HAYASHI Joji/Film Techniques to Make Intelligential Appeals to the Spector: Case of the Japanese Animated Cartoons
IWATA Akio/Analystic Thinking over KEATON’s Gags in his Movie


No.13, 1979

Articles
NAKAMURA Zenichi, Susumu OKADA, Takeshi YOSHIZUMI/Urban City as a Visual Environment
MATSUMOTO Toshio/Physical Formation System Relating to the Experience of Image
MORISHITA Akihiko/Problèmes du mouvement dans l’image filmique
TOYOHARA Masatomo/A Study of Formative Image Cognition
OGASAHARA Takao/A propos de la narrativité au cinéma
SATO Masaru/Role of Design in Man-Made Environment
IMAI Shigeru/Image of a Plaza: Introduction
SHIGEMORI Koen/On Naotaro TAKANO, The Photographer
FUKAI Jun^On L’annŽe derniŽre ‡ Marienbad
NAKAGAWA Kunihiko/Pour lire ROBBE-GRILLET
Richard VARNER/Software and the Role of the Recipient
Jørgen Aske N. DAM/A New Concept in Video Softwear
AOYAGI Fusaji/The Effective Best Resolving Power Point and Magnifications on Close-up and Macro-photography
Report
HIRANO Tetsuro/Study on Photography for Visual Communication (2)


No.14, 1979

Articles
SAGA Hiroo/A Measurement of Reception Structure of Pictorial Message
KOMATSU Hiroshi/On Film Study:Phenomenological Approach (1)
YOKOTA Masao/An Experimental Investigation on Cognition of Changes of Camera Position in Cinema (3)
YOSHIZUMI Takeshi/Paul SHARIT’s Cinematics-Model
Report
HIRANO Kyoko/Image and Sound


No.15, 1980

Article
TOGAWA Naoki/Witness on John GRIERSON
KOMATSU Hiroshi/On Film Study:Phenomenological Approach (2)
Janet ASHBY III/The Otoko wa tsuraiyo Series of Films and Japanese Society (1)
Report
TAJIMA Ryoichi/A propos du double
Book Review
HAYASHI Jyoji/Books on Animation Film


No.16, 1980

Articles
ASANUMA Keiji, KONDO Kojin, OBA Seiichi, YOSHIZUMI Takeshi, MATSUMOTO Toshio/Image in the Technological Society
OKAMURA Ikuo/Image Science in Ecological Environment
SHIGEMORI Koen/Photographic Image as an Animistic Incantation
Richard E. VARNER/Hi-Ovis and Hi-Cat:A Comparative Study
INA Shinsuke/On Michael SNOW’s Film Work, Wavelength
NAKAMURA Koichi/Color and Meaning in the Cinema:EISENSTEIN’s Theory of Color
OKADA Susumu/The Time-Space Continuum of Image
MAEDA Tatsuo/On Television Images
YOSHIZUMI Takeshi/Video Art by Digital Image-processing System
OYOBIKAWA Mitsuru/Comparative Imago-Semiology:On the System of Image Sciences and New Total Systems of Studies
YOKOTA Masao/Investigation of Mental Rotation of Spatially Arranges Objects (4)
AOYAGI Fusaji/The Application of KATZ’s Equality
Report
HIRANO Tetsuro/Study on Photography for Visual Communication (3)


No.17, 1980

Articles
DEGUCHI Takehito/Towars the History of Color Films (1)
OMAE Tsuyoshi/An Essay on ANTONIONI’s Eye
NISHIKAWA Susumu/Films and Music
Janet ASHBY/The Otoko wa tsuraiyo Series of Films and Japanese Society (2)
Report
MURAYAMA Kyoichiro/The Method of the Film Analysis in France (1)
Book Reviews
Richard VARNER/Books on Video
OKAMURA Masaru/Richard TAYLOR, Film Propaganda: Soviet Russia and Nazi Germany


No.18, 1980

Articles
KONDO Kojin/La vision vide
KOYAMA Masazumi/Note of “Japanisch”
INOUE Masayoshi/Mythology of Photography
Report
MURAYAMA Kyoichiro/The Method of the Film Analysis in France (2)
Book Review
MANABE Shinsei/Daniel ARIJON, Grammar of the Film Language


No.19, 1981

Articles
TAKAYANAGI Kenjiro/The Beginning of Television Studies in Japan
YOSHIOKA Toru/A Study of the Subjective Color
DEGUCHI Takehito/Toward The History of Color Films (2)
MORISHITA Akihiko/Image-Art and Everydayness of Media
OYOBIKAWA Mitsuru/La théorie du contre-réalisme (1)


No.20, 1981

Articles
IMAI Kiyoshi, ASANUMA Keiji, SUGIYAMA Heiichi, NITTA Hiroe, HATANO Tetsuro/Symposium: Photo-cinematographic IMAGE and Beauty
ITO Shiei/About Electrovision
MAJIMA Masaomi/Modern History of Mass Publicity Operations:Analysis of Social Effects of Video Information
YAMADA Kohei/Before EISENSTEIN
MATSUMOTO Toshio/The Structure of Esthetic Function and its Principle of Activation
Reports
HIRANO Tetsuro/Study on Photography for Visual Communication (4)
OYOBIKAWA Mitsuru/A Semantic Table of Imago-Semion