Contents of Back Issues of Eizogaku
《ICONICS Japanese Edition》Nos.66-85
No.66, 2001
Articles
FUJII Jinshi／On Bunka Eiga: Analyzing the Discoures of “Culture Film” in 1935-1945
HORI Hikari／Aru hobo no kiroku (A Caregiver’s Record): Representation of Working Women and Resistance in Wartime Japan
OSAWA Joe／Squareness, Duration and Children：A Textual Analysis of Shimizu Hiroshi’s Films
YAN Ni／The Japanese Reception of Chinese Cinema in the Postwar Period: Concerning Early “Peoples Cinema”
KIMURA Tatsuya／Self-Reflexivity in Movies: Gilles Deleuze on the “Crystal-Image”
IMAI Ryusuke／David Cronenberg: The Filmmaker of Bodily Metamorphosis
Reports
ORORI Yasuhiro／National Museum of Ethnology, Special Exhibition “Ethnoligy and Rise of Cinema: From Shadow Theater to Multimedia”
HAMANO Yasuki／Present Situation and Future Problems of Digital Cinema
Book Reviews
YOSHIZAWA Taiki／YOMOTA Inuhiko, ed., Film Director MIZOGUCHI Kenji
AOYAMA Masaru／Jacques Aumont, Alain Bergala Michel Marie, Marc Vernet, Esthétique du film
KANEKO Masakatsu／HASE Masato, The Ontology of the Image：Mystery and Pleasure
YOSHIMURA Izumi／ETO Shigehiro, Toki o Kakeru Shojo: Cinematic Variations of a Nouvel
NAKAMURA Hideyuki／KATO Mikiro, What is Cinema?
No.67, 2001
Articles
KOBAYASHI Sadahiro／The Narrating Voice: On the Reception of Novels and Films
FUJII Jinshi／A Nonexistent Shot and Its Vicissitudes: The “China Incident” and Japanese Film in 1937-1941
SHIMURA Miyoko／When the Women Becomes a Cat：On Hiroku Kaibyōden, a “Monster Cat” Film
ISHIDA Minori／Beniamino Gigli and Cine-opera: An Essay on the Italian Cinema During Fascism
KINOSHITA Kosuke／Rhetorical Narrator(s) in Fictional Films
Reviews
SAITO Ayako／”NOTORIOUS：Alfred Hitchcock and Contemporary Art”：An Exhibition at Tokyo Opera City Art Gallery
INUBUSE Masakazu／”The Wonderful World of Japanese Animation Culture”：A Special Exhibition at Utsunomiya Museum
KIMURA Tatsuya／YOSHIMI Shunya, ed., Media Studies
IIOKA Shiro／Lisa BLOOM, ed., With Other Eyes: Looking at Race and Gender in Visual Culture
KANEKO Ryuichi／Dawn ADES, Photomontage
NAGATA Yasushi／Neya ZORKAYA, The Illustrated History of Soviet Cinema
KAWAMURA Ken’ichiro／John A. WALKER, Sarah CHAPLIN, Visual Culture: An Introduction
No.68, 2002
Articles
NAKANO Yasushi／Expression of Conflict：An Intoroductory Reading of the American Horror Film
FUJIOKA Atsuhiro／Exhibition in the Early Years Newsreel Theaters and It’s Function
HORI Hikari／Women of the Night(1948)as Framed by the Occupation Era in Japan：Negotiations between Text, Critics, and Female Spectators
JŌUMARU Mika／On the Portrait in Photography
Report
OSAWA Joe／The Japanese Première of the Digitally Restored Version of Metropolis at the Kyoto Film Festival 2001
Reviews
HAMAGUCHI Koichi／IKUI Eikoh, The Memories of the Lost War: The Vietnam War in Perspective
Mitsuyo WADA-MARCIANO／Joanne BERNARDI, Writing in Light: The Silent Scenario and the Japanese Pure Film Movement
ONO Yasuo／Serge TISSERON, Le Mystère de la chambre claire
ASANUMA Keiji／Susan RAY, ed., I Was Interrupted: Nicholas Ray on Making Movies
NADA Hisashi／SATO Hiroaki, NISHIMURA Tomohiro, and the editional staff, ed., Practical Cinematography on Super-Avangarde
MATSUMOTO Natsuki／IWAMOTO Kenji, Centuries of the Magic Lanterns in Japan：A History of Visual Cultures before Cinema
No.69, 2002
Articles
USUI Michiko／A Reconsideration of Hitchcock’s Rope
MATSUMOTO Kentaro／Toward the End of Language: The Change of Visual Relation in the Semiotic Texts of Roland Barthes
MORIMURA Maki／A Change in the Keyhole Film Genre in Early Cinema
Report
KAWANAKA Nobuhiro／Japanese Experimental Cinema ’50s-’70s: A Screening Report
KUSAHARA Machiko／SIGGRAPH2002: Computer Graphics Has Changed the Notion of Reality
Reviews
MURAYAMA Kyoichiro／KATO Mikiro, The Realm of Cinema
HIDAKA Yu／KONDO Kojin, Don Quixote’s Photography: The Play of Manazashi and Memory
SAZAKI Yoriaki／SATO Tadao, A Reading of Itami Mansaku’s Draft on Directing Acting
MASUDA Rei／IGUCHI Toshino, Hungarian Avant-garde: MA and Moholy-Nagy
No.70, 2003
Articles
INUI Yukiko／”Memento Mori” in Early Photographic Postcards from Coal Mine Disasters in Britain
NOJIMA Naoko／Terayama Shuji’s Views on the Cinematic Apparatus: Comments on His Experimental Film Entitled Chōfukuki (1974)
JŌMARU Mika／Reproducing Time-On Sugimoto Hiroshi’s “Portraits”
WADA Shin’ichiro／The Visual Media as “Apparatus”: Crary and Virilio
Report
INA Shinsuke／On the Exhibition “FUTURE CINEMA”
KITADA Rié／Le cinéma suisse muet: voyage dans l’histoire du cinéma suisse, rapport sur le 21e Giornate del Cinema Muto de Pordenone
Reviews
TAKEDA Kiyoshi／”Kimura Takeo,an Art Director for Film”: An Exhibition at the Kawasaki City Museum
TOMITA Mika／The Japanese Film Heritage – From the Non-film Collection of the National Film Center
FUJIKI Hideaki／KITANO Keisuke, A History of Hollywood
KIROIWA Toshiya／MITSUI Hideki, Media and Arts-Arts Revolution by Digital Media
MAEDA Shigeru／On the Anglo-American Reception of Deleuze’s Study of Cinema (1): From a Philosophical Understanding to a Rethinking of Film Studies
No.71, 2003
Articles
JANG Jieun／The Emergence and Evolution of Community Theaters in Japan
SUZUKI Kiyoshige／The Effect of Movie Editing on the Perception of a Movie：A Psychological Study on the Kuleshov Effect
KINOSHITA Kosuke／Methods of Character Construction: Greating Characters in Classical Cinema
SATOW Moihiro／Representing “Old Japan”：Yokohama Photographs in Late Nineteenth Century Visual Culture
Report
NII Rie／Specificity in the Image Archiving of Clothes and Costumes：Focusing on the Digital Archive of the Kyoto Costume Institute
OGASAHARAR Takao／J.TANAKA Memorial：Japan Film History Festival in Nitta
SAITO Ayako／5th Women’s Film Festival in Seoul（2003.4.11～18）：It’s a “Must-See” Festival for Women, and for Men, Too
Reviews
KAMIYA Makiko／Aaron GEROW, ABE Mark NORNES, ed., In Praise of Film Studies：Essays in Honor of Makino Mamoru
FUJII Jinshi／NAKAMURA Hideyuki, Allegory of Noir：Film Noir and the Transformation of Cinema Culture
YOSHIMURA Ken’ichi／HASE Masato, NAKAMURA Hideyuki, ed., Cinema and Modernity
MAEDA Shigeru／On the Anglo-American Reception of Deleuze’s Study of Cinema (2)： Toward a Foundation for Alternative Film Studies
No.72, 2004
Articles
KIM Ryeosil／What Was Arirang – Formation of Korean Anti-imperialist Film
NOZAKI Yasuo／Über die Darstellungen der Stadt Berlin in den deutschen Filmen der zwaziger Jahre
HIRANO Dai／Analyse de réalisation d’un documentaire traitant du processus de fabrication d’un objet matériel – la stratégie et les tactiques du tournage
Reports
OKUMURA Masaru／Yamagata International Documentary Film Festival 2003
SUGAWARA Yoshino／Toward the Fertile Film Culture through Community Cinema：A Report on Film Exhibition Network Conference 2003 in Osaka and Film Festival Convention
ISHIZUKA Hiroshi／The Kansai Summer Film Seminar 2003
Reviews
NOZAWA Kimiko／YOMOTA Inuhiko, SAITO Ayako, Wakao Ayako, Actress
KAWAMURA Ken’ichiro／National Film Center (The National Museum of Modern Art, Tokyo), Redefining the Tasks of Film Archives: Records of the International Film Symposium (Tokyo, 2000)
No.73, 2004
Articles
HAN Yanli／Chinese Cinema during Transition Period from Silents to Talkies: Cantonese Films and “National Defense Films”
OKUBO Kiyoaki／Naruse Mikio in New York: From Wife! Be Like a Rose! to Kimiko
NOZAKI Yasuo／Der mediale Raum im Film. M und andere deutsche Filme
ISHIZUKA Hiroshi／Toei’s Goup Period Films and Konoe Jushio
Reports
TABATA Akeo／Regional Informatization Policy and High-Vision
YOSHIKAWA Naoya／A Report on the International Peak Forum of Photography Education
ISHIZAKA Kenji／The Future of the Public Screening & Community Cinema Movement: A Report on the Film Exhibition Networrk Confeence 2004 in Kōchi
Reviews
JOMARU Mika／MAEKAWA Osamu, The Optics of Trarces-About Walter Benjamin”s Optical Unconsciousness
WASHITANI Hana／YOMOTA Inuhiko & SAITO Ayako(ed.), Between men, Asian Cinema: Homosocial Desire
NAKANO Yasushi／Ester LESLIE, Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde
No.74, 2005
Articles
AN Ni／From a Legendary Heroine to a National Symbol: On the Ambiguity of the Explanations of Hua Mu Lan
YO Anri／The Connection between the Body and “The Subconscious of the Video Machine”: Focusing on Pipilotti Rist’s Video Work [Abusolutions] Pipilotti’s Mistakes (1988)
NADA Hisashi／OGINO Shigeji’s Absolute Films?
KITADA Rie／Les films multilingues en Suisse et l’essor de son cinema apres la Seconde Guerre mondiale
KADOBAYASHI Takeshi／The Infancy of Media: McLuhan on TV
Report
HAN Yanli／Facing the Big Wave of Chinese Cinema: A Report on the Second Chinese Film Critics Symposium in Hong Kong
Reviews
HIDAKA Yu／Site Graphics
SATOW Morihiro／Ann Wilkes Tucker, Dana Friis-Hansen, Kaneko Ryuichi, Takeba Joe, eds., The History of Japanese Photography
TODA Masako／IMAHASHI Eiko, 20th Century Photography and Paris Myth
MAEKAWA Osamu／Masato Hase and Hideyuki Nakamura (eds.), The Politics of Film
KOBAYASHI Nobuyuki／WADA Shin-ichiro, Ontology of Media-Heidegger and Virilio
NAKAMURA Hiseyuki／IWAMOTO Kenji (ed.), Japanese Film and Nationalism 1931-1945, Film and Greater East Asia Co-prosperity Sphere in World War II
No.75, 2005
Articles
HAN Yanli／From Overseas Chinese to Chinese American: A Study of Chinese Language Films Made in America from 1933 to 1948
ISHIDA Minori／The Unique Reception of Luchino Visconti’s Films and Its Cultural Influence in Japan
YI Youngjae／Between Nationality and Imperial Locality ― National Representation in The Wedding Day
MIZOBUCHI Kumiko／”Literature Films” as “Revival of Literature”: A Reconsideration of the “Literature Film” Boom in Mid – 1930s Japan
Report
IRIE Yoshiro／An Exhibition on the First Japanese Movie Star: A Report on “Onoe Matsunosuke and the Culture of Period Films”
Reviews
KINOSHITA Kosuke／David BORDWELL, Figures Traced in Light: On Cinematic Staging
NIWAYAMA Takahiro／Stanley CAVELL, and William ROTHMAN, eds., Cavell on Film
KANEKO Masakatsu／Gilles DELEUZE, Francis Bacon: Logique de la sensation
OKUMURA Masaru／Klaus Kreimeier, Die Ufa-Story. Geschichte eines Filmkonzerns
ITAKURA Fumiaki／MINAGUCHI Kiseko, Cinema Maternity: The Japan-U.S. Representation of Mothers Focusing on Mimasu Aiko
ISAKA Yoshiyuki／YOKOTA Ansei, The Task of a Documentary Filmmaker
TAKAHASHI Chiaki／KONDO Kojin and SUGA Keijiro, eds., How to Talk to Photography
No.76, 2006
Articles
HATA Ayumi／Mobilizing Coices: Radio Announcers and Benshi in Japanese Documentary of the 1930s and 1940s
USUI Michiko／The Cinematic Text’s Representation of Villainy: Hitchcock’s Strangers on a Train
SASAKI Yusuke／Rethinking Contemporary Roman-Photo: Duane Michals and Sophie Calle
MIZUNO Masanori／A Particular Relationship between the Image and the Mark in Sigmund Freud’s Wunderblock and Ivan Sutherland’s Sketchpad
Report
KANEKO Ryuichi／The Reprinted Edition of NIPPON
MATSUMOTO Natsuki and TSUGATA Nobuyuki／The Discovery of Supposedly Oldest Japanese Animation Films
WASHITANI Hana／The Symposium on “Film/ History/ Feminism” at Meiji Gakuin University
Reviews
MAEKAWA Osamu／Zwischen Wirklichkeit und Bild
OHASHI Masaru／Alternatives in Cinematic Expression: Creative Deviations in the 1960s Japan
No.77, 2006
Articles
MISONO Ryoko／The Call of the Childhood Songs: Music, Motherhood and Nationalism in Kinoshita Keisuke’s Nijushi no hitomi
YING Xiong／When EXCESS Interpellated Indivisuals: “The Cultural Revolution Cinema”(1966-76), Great Wall at South Sea (Nanhai Changcheng, 1976), and Politicized Masochism
AKAI Toshio／Images Segmented: A Study of the Texture of a Film Song Sequence in Indian Popular Films
YAMAMOTO Sae／The Export of Japan’s Image: Japanese films Screened at New York World’s Fair, 1939
Report
USUI Michiko／The Exhibition in memory of IMAMURA Shohei at Waseda University
Reviews
HASHIMOTO Jun／KITANO Keisuke, How the Japanese Cinema has been received in the United States?
YOSHIMURA Izumi／Terry Christensen, Peter J. Haas, Projecting Politics: Political Messages in American Films
MAEDA Shigeru／Slavoj Žižek’s Reading of Hitchcock
No.78, 2007
Articles
UEDA Manabu／Child Spectators and the Modern City in the Early 1910s: An Analysis of ‘Kisha katsudo shashinkan’
HATAKEYAMA Muneaki／Decompositional Counterpoint: On Eisenstein’s Ivan the Terrible
AKASAKI Yoko／Avant la Nouvelle Vague―La liaison entre le groupe court-métragiste « Groupe des Trente » et la génération suivante
Report
KAWAMURA Kenichiro／An Exhibition on Toshio Matsumoto
OKADA Hidenori, ITAKURA Fumiaki／Kenji Mizoguchi Retrospective
Reviews
INUBUSE Masakazu／2006 Daegu Photo Biennale
USUI Michiko／ASANUMA Keiji, On Film Narrative: Capricci in the Themes of SevenCineastes
AN Ni／SATO Tadao, Hundred Years of Chinese Cinema
KADOBAYASHI Takeshi／Wada Chin’ichiro, Media and Ethics ― Can the Screen help a World without Pity?
HORI Junji／YANAI Tadashi (ed.), The Adventure of Cinematographic Thinking: Life, Reality and Possibility
No.79, 2007
Articles
WASHITANI Hana／Construction from Ruins: Refractive ‘Americanism’ in Wartime Japanese Cinema
MIURA Tetsuya／Le suspense de base et la pitié de Sisyphe
Report
IRIE Yoshiro, ITAKURA Fumiaki／A Report on the 63rd FIAF Coongress in Tokyo, 2007
PARK Giryung／A Report on NAM JUNE PAIK Exhibition and Paik’s Museum in Korea
Reviews
SAKAJIRI Masahira／TAKEDA Kiyoshi, René Clair ou Les paradoxes d’un miroir
KINOSHITA Kosuke／Warren BUCKLAND, Film Studies
HIDAKA Yu／IMAHASHI Eiko, Brassaï : au delà des frontières à Paris (Brassaï : Crossing Boundaries in Paris)
ISHIDA Minori／NOJIMA Naoko, Reading Terayama from a Lacanian Perspective
IIOKA Shiro／SHIMURA Miyoko, YUMIKETA Aya, Ikebe Ryo, Actor
NAKAYAMA Akihiko／SAITO Ayako, Japanese Film History Series “Cinema, Body, Sexuality”
OKAMURA Tadachika／Jean Narboni, Mikio Naruse Les temps incertains
No.80, 2008
Articles
OKUBO Ryo／Kinodorama and Kineorama
KAMIYA Makiko／How “Man” Should Live: The Personae of HASEGAWA Kazuo and FURUKAWA Roppa during the Wartime
Report
KAWASAKI Kohei／The China-Japan Joint Symposium on “Contemporary Studies of Image and Visual Culture” at Nanjing Arts Institute
Reviews
SAITO Ayako／David Bordwell and Kristin Thompson, Film Art: An Introduction, 7th edition
NAKAMURA Hideyuki／Colin MacCabe, Godard: a Portrait of the Artist at Seventy
SHIMURA Miyoko／OGAWA Naoko, Tate as a Culture: A Study of Samurai Films
No.81, 2008
Articles
MATSUTANI Yosaku／L’image vague, l’image excédentaire: l’expérience de l’image dans le cinéma des premiers temps, qui n’est pas réduite aux rédimes de l’attraction et de la narration
NIITA Chie／Influence of Radio on Musical Films: Relationship of American Entertainment Industries in the Early 1930s
SUZUKI Kohei／Große Fotografien der Becherschule: Eine Betrachtung über Phantasien um die Fotografie
SHIMURA Miyoko／Miyamoto Musashi at “the Bottom of the Decisive Battle”: Kan Kikuchi’s Ken-sei Musashi-den and Kenji Mizoguchi’s Miyamoto Musashi
Report
USUI Michiko／”Japanese Media: Utsushi-e (Japanese Magic Lanterns), Katsudo-Syashin (Movies), and Benshi (Narrators)”: A Special Exhibition at the Tsubouchi Memorial Theatre Museum of Waseda University
KAMIYA Makiko／A Report on the Masahiro Mikino Retrospective at his Centenary
Reviews
KOGA Futoshi／On the Exhibition “Madame Kawakita, Her Life and Films”
Mitsuyo WADA-MARCIANO／Aaron GEROW, Kitano Takeshi
KINOSHITA Kosuke／FUJII Jinshi (ed.), Contemporary Hollywood Cinema: An Introduction
No.82, 2009
Articles
DOGASE Masato／The Emergence of “Film Director” in Japanese Modern Times; 1910s Discourse Formation of Embryonic Director System
HASEGAWA Koichi／Machine and Movement: A Study of Keaton’s Automobile Gags
OGURA Fumi／Laughinh at a Soldoer: The Descent and the Phase of Army Comedy (Heitai Kigeki)
TOMODA Yoshiyuki／Ideas on the “Image Debate” or “Image and Language Debate”: On Montages, Film Language and the Synthesis of the Arts
ISHIDA Takehisa／Historical Study on a Case of Media Mix: High Definition Television and Film
Reviews
KAWAMURA Ken’ichiro／TSUCHIMOTO Noriaki & ISHIZAKA Kenji, Amidst the Sea of Documentary: Dialogues with Tsuchimoto Noriaki
HATANO Tstsuro／IWAMOTO Kenji & TAKAMURA Kurataro (supervisers) / IWAMOTO Kenji, OKUMURA Masaru, SAZAKI Yoriaki, MIYAZAWA Seiichi (eds.) Encyclopedia of World Cinema
No.83, 2009
Articles
OKUBO Ryo／The Lantern Show and Its Spectators in Late Nineteenth-Century Japan: The Management of Spectators’ Perception in Educational Lantern Shows and Sino-Japanese War Lantern Shows
KAWASAKI Kohei／Baseless Double: The Phases of Intermittency in Kurosawa Kiyoshi’s Doppelgänger
MATSUTANI Yosaki／Vibrations of Color: Hand-Coloring in Early Cinema
Reviews
UCHINO Hiroko／HIDAKA Yu, Reading Contemporary American Photographs: Toward Democratic Vistas
No.84, 2010
Articles
HAYASHIDA Arata／Constellation and Nebulosity: Aspects of “Photojournalism” in the “Natori-Tomatsu Dispute”
MATSUTANI Yosaku／Vibrating Image and the Rigid Body: The Relationship Between Image and Medicine from the Late 19th to the Early 20th Century
WARTANABE Daisuke／Plots and Themes in Social Educational Films of Taisho Period: A Case Study of Takamatsu Toyojiro
Reviews
SHINOGI Ryo／Jean Burgess & Joshua Green, YouTube: Online Video and Participatory Culture
MURAYAMA Kyoichiro／OKUMURA Masaru, Film and War: Desire to Shoot / See War Image
No.85, 2010
Articles
HASEGAWA Shiori／Edward S. Curtis’ Ethnology: Competing Aspects between Actuality and Narrative in the Cinema of Transitional Era
MIZUNO Masanori／The Cursor is the Switchover Entity between the Real and the Virtual: Two Works about the Cursor by Exonemo
HASEGAW Koichi／Horold Lloyd’s Characteristic “Connected Chase” Sequence: Comparison between Mack Sennett’s Slapsticks and Girl Shy (1924)
IWAKI Akihisa／Cinema as an Image Generation System: Bergson and the Cinematographical Mechanism of Perception
