Contents of Back Issues of Eizogaku
《ICONICS Japanese Edition》Nos.21-42
No.21, 1981
Articles
ASANUMA Keiji／De linguistique saussurienne à sémioligic du cinéma: Négativé immanente de sémiologie
HASUMI Shigehiko／Connotation et activité narrative du regard
DEGUCHI Takehito／Textual Analysis of the Film and the Method of Octobre: écriture et idéoligie
SONE Sachiko／De la lecture du tableau
IWAMOTO Kenji／Auteur-theory and Cine-structuralism
KUWANO Takashi／Semiotics of Cinema in USSR
Report
NAKAMATA Toru／Analytical Study of Film Technique in Mikio NARUSE’s Work
<Hommage à Christian METZ>
Présentation de Christian METZ
NISHIJIMA Norio／La sémiologie du cinéma avant METZ: deux articles de Roland BALTHES
MURAYAMA Kyoichiro, TAKEDA Kiyoshi, NISHIJIMA Norio／Trois livers de Christian METZ
MURAYAMA Kyoichiro／Christian METZ et ses influences en France
IWAMOTO Kenji／Christian METZ et ses influences à l’étranger
SUGIYAMA Akio／Bibliographie
No.22, 1981
Articles
Christian METZ／Conférence: L’identification chez le spectateur du cinéma
IMAI Sigeru／The Method and Artistic Application of Kirlian Photography
DEGUCHI Takehito／A Phase of Story-Pausing in Film
NAGATA Shozo／Theatre Space and Film Space: The Function of Creative Space
FUJII Isamu／A Few Comments on the Language Training Using Two-Way A.V.System
OKADA Susumu／An Assumption on Discourse of Image
YAMAMOTO Kikuo／Season Word and Japanese Film
YAGI Nobutada, HIROSAWA Huminori, TAKANO Toru／A Consideration of the Psychological Distance of the Image and Audience in film
MATSUMOTO Toshio／The Dual Nature of Unconsciousness and the Principle of Creativity
NAKAGAWA Kunihiko／Une analysse propositionnelle du film Glissements progressifs du plaisir d’Alain ROBBE-GRILLET
No.23, 1982
Articles
YAMASHITA Isamu／Music and Visual Expression in Image Art
NISHIZAWA Emiko／Des letters comme images
IIZAWA Kotaro／Photoartist Yasuo NOJIMA
YOKOE Fuminori／ATGET in his Later Years
TAKAHASHI Yasuhiro／A Structual Analysis of T.V. Commercials
OYOBIKAWA Mitsuru／La théorie du contre-réalisme (2)
No.24, 1982
Articles
HASUMI Shigehiko／Savoirs narratifs et désirs filmiques
NISHIJIMA Norio／Teaching of Photography
ONO Yuichi／Photography: Notes on gestalt of the Absence
UNAMI Akira／Photography as Sign
INOUE Masayoshi／Documentary and Illusionism
NAKAGAWA Kunihiko／Une analyse propositionnelle du film
YOSHIOKA Toru／A Study of the Subjective Color (2)
No.25, 1982
Articles
ASAI Masaaki, OTAKE Toru, MANABE Shinsei／Experimental Study on Decoding Processes of Videotaped Non-verbal Messages (1)
HIROSAWA Fuminori, TAKANO Toru, YAGI Nobutada／Psycholigical Distances Perceived between Objects Recorded as Images
FUKUYA Taketo／The Expression Process of Abstract Conceptions in Vision
TOYOHARA Masatomo／Creative Function of Image: A Semiological Study
HAKOZAKI Soichi／Pictorial Expression of the Delusion
HIRANO Tetsuro／Photography for Visual Communication (5) : How Far Can Photography Be Probed into Today?
MORISHITA Akihiko／Probèmes de l’image du monde et de la technique monderne dans la formation des média iconiques
SONE Sachiko／Sur le dessin humoristique et la bande-dessinée
Book Review
TAKEDA Kiyoshi／Christian METZ, Le signifiant imaginaire
No.26, 1983
Articles
YOKOTA Masao, OTAKE Toru, ASAI Masaaki／Cognition of Distance and Its Impression in Video
IIZAWA Kotaro／Tradition of The Emperor Meiji’s Picture：The Secret Photographic Image
CHUJO Shohei／Hommage à l’ “image”
OKAMURA Masaru／Formalism in Leni Riefenstahl’s Films
Reports
TOGAWA Naoki／Notes on South-American Cinema
Josianne PINON／Yasujiro OZU et la critique française
Book Reviews
OKADA Susumu／Roland BARTHES, La chambre claire
HIRANO Kyoko／Randal JOHNSON, Robert STAM, Brazilian Cinema
No.27, 1983
Articles
MAKINO Mamoru／An Inquiry into the Prehistory of Pro-Kino (Japan Proletariate Kino League)
SAEKI Tomonori／The “Empty” Frame of Kenji MIZOGUCHI: Free Interpretation
IIMURA Takahiko／Semiology of Video (A Note)
YOSHIOKA Toru／A Study of Subjective Color (3)
KAWAMURA Ryuichi／Importance of Movement: Freeing Ourselves from Intelleectual Pretence in Film Language
Book Review
KOMATSU Hiroshi／IWAMOTO Kenji, HATANO Tetsuro (eds.), Theories of film: An Anthology
No.28, 1983
Articles
SASAKI Kanji／Research on the Practical Creation of Animation Characters
MATSUMOTO Toshio／S. KRACAUER’s Theory of the Image Medium: Its Meaning and Attempt of the Development
YAMADA Kohei／NAKAI Masakazu: His Philosophy on Image Arts
KATO Bunichi／Practical Use of 3D Photography
WAKI Rigio／The Discovery of a Chlorophyll-Red-Filter: The Principle and Application
INA Shinsuke／A Study of Time-Phenomena in Video Art
YOSHIZUMI Takeshi／Concreteness of Picture in New Media
SUGIYAMA Heiichi／Research on Hikaru SIMIZU
YABU Toru／Photography and Design: Concerning the Modern Movement in Design
No.29, 1984
Articles
KANEKO Ryuichi／Photography Book as Possibility
INOUE Masayoshi／Tourism, Technology and Photography
IIZAWA Kotaro／The Formation of “Art Photography” in the History of Japanese Photography
HIRAKI Osamu／Contemporary Problems in Historical Study of Photography in Japan
OTA Yoneo／Kazuo MIYAGAWA’s Region of Beauty
YAMADA Kohei／Kazuo MIYAGAWA in his Early Days
YONEDA Masahiro／Kazuo MIYAGAWA from Photography’s Point of view
TAKIZAWA Hajime／Kazuo MIYAGAWA from commercial Film’s Point of View
MIYAGAWA Kazuo／Résumé of my Lecture
No.30, 1984
Articles
TAKEDA Kiyoshi／Le cinéma primitif et la formation du cinéma-dispositif
MAEKAWA Mitchihiro／Problmes du système formel de l’œuvre d’Ozu
DEGUCHI Takehito／Toward the History of Color Films
CHIBA Nobuo／The Japanese Writers and the Cinema in the 1930’s
Reports
Ousmane SEMBENE／Literature and Movies in Africa
TSUCHIYAMA Nobu／The Present Condition of Computer Graphics in Japan
No.31, 1985
Articles
MAKINO Mamoru／TANIGAWA TetsuzoFHis Movie Study and Criticism through his Whole Life
MATSUMOTO Toshio／Institution and Generation
ASANUMA Keiji, KAMEYAMA Sadato, KOBAYASHI Koichi, HATANO Tetsuro, YAGI Nobutada／Symposium: An Approach to Visual Image
IKEMIYA Nobuo／The Posision in a Word of “Image Art”
HOSHINO Akira／The Tension of Body and Image by Editing in Camera
IWAMOTO Kenji／Yasunosuke GONDA, A Pioneer of Film Studies
NAKANO Yasushi／The Contemporary Meanings of Cinéma Pur
Report
KATO Bunichi／Eyes and Stereoscopic Photography
Book Reviews
TAKEDA Kiyoshi／Pierre JENN, Georges Méliès, cinéaste
Madeleine MALTHETE-MELIES (dir.), Méliès et la naissance du spectacle cinématographique
No.32, 1985
Articles
GOTO Kazuhiko／Video and New Media
TAKEMURA Mitsuhiro／Media Scanning and Video Image Processing
NAKAYA Fujiko／Esthetics and Methodology Particular to Japanese Video Art Works
HATANO Tetsuro／A Survey of High-Technological Visual Display in Tokyo
MANABE Shinsei／Changing Visual Display in Tokyo
HATANO Tetsuro, GOTO Kazuhiko, Rod DAYNES, Steve GREGORY, Aske DAM, Rich VARNER／International Videodisc Symposium：Present State of Videodisc Software and its Future Promise
No.33, 1986
Articles
Symposium: From Photography toward the Various Visual Media
ITO Toshiharu／Photography
TOGAWA Naoki／Cinema
YAMAGUCHI Katsuhiro／Video Art
KASHIWAGI Hiroshi／Graphic Design
KOMATSU Hiroshi／Die Bildtheorik Husserls
HIRAKI Osamu／On Geographical and Topographical Aspects in the Historical Study of Photography
KANEKO Ryuichi／Nobuo INA’s Historical Vision on Modern Photography
OHINATA Kinichi／The Genesis of Landscape-Photography in Fox TALBOT’s Works
HATANO Tetsuro／How to Photograph in Chine
MAKINO Mamoru／Till the Lagalization of Movie Censorship in Japan
MITAMURA Shunyu／Some Ideas on Holography
USAMI Shozo／On the Model for Pictorial Communication: A “Ressage” and “Displays”
NAKAGAWA Kunihiko／The Practical Application of Laser Disc for Utilization of Various Meanings of Images
Book Reviews
INOUE Masayoshi／TAKI Koji, Modanizumu no Shinwa
MORIOKA Yoshitomo／Bernard CHARDERE, Guy et Marjorie BORGE, Les Lumière
No.34, 1986
Articles
KOMATSU Hitoshi／Die Wiederentdeckung der Ästhetik des Films von Konrad LANGE
DEGUCHI Takehito／The Meaning of Vachel LINDSEY’s Work
TANAKA Yo／On Two Types of Films
Reports
MATSUYAMA Fumiko／Bericht über die Tagung der Filmwissenschaft in Deutschland
YAMADA Kohei , YODA Yoshikata, TAKIZAWA Hajime, SUGIYAMA Heiichi, CHIBA Nobuo, OGASAHARA Takao／Kansai Branch of JASIAS, 7th Annual Meeting “A Historical Study of the Career and Works of Sadao YAMANAKA by the Comparative Method”
Book Reviews
OKUMURA Masaru／David BORDWELL, Janet STAIGER, Kristin THOMPSON, The Classical Hollywood Cinema: Film Style & Mode of Production to 1960
IWAMOTO Kenji／Louis Delluc, Ecrits cinématographiques I: Le cinéma et les cinéastes
MIYAMOTO Takaharu／Dudley ANDREW, Concepts in Film Theory
MATSUURA Fumihiko／The Current American and British Publications on Film Theory
No.35, 1986
Articles
ISHII Shigeru／To City：A Wandering Regard
OISHI Yoshino／Documentary：What is the essence of Image?
ITO Toshiharu／David HOCKNEY’s New Camera Works
KANEKO Ryuichi／New Topographics: A Position of New American Landscape
OBINATA Kinichi／On “Before Photography”
OKUMURA Masaru／The March of Time and Photojournalism
INOUE Masayoshi／Modernism in Aerial Photography
WAKI Rigio／Two Proposals for the Age of Light Image Quality
ARAI Hiroko／The Restoration of photography
HOSHINO Akira／The Element of Still Picture in Motion Picture
HATADA Toyohiko／Applyubg Visual Functions to Display Design
YAGI Nobutada／Problems of HD-TV in Cinema Production
INUBUSE Masakazu／The Nature of Photo-Image
Book Reviews
KONDO Kojin／David HOCKNEY, Cammera Works
IIZAWA Kotaro／Koichi NAKAI (ed.), Nihon Shashin Zenshu
No.36, 1987
Articles
KAWAGUCHI Yoichiro／To Morphorism：The Morphology of Form, Movement, Color and Texture
KUSAHARA Machiko／SIGGRAPH ’86：From Electronic Theater
SHIBAMOTO Takeshi／3 Dimensional Computer Graphics：The Present Condition and Future of the Technics of Animation
MITSUI Hideki／25 Years of Computer Art with SIGGRAPH
TSUKIOKA Sadao／Around C. A of CG
NOJI Suma／Animation Production with CG
HAYAMA Komei／The Vista of New Technics of Image
KAWAGUCHI Yoichiro, KUSAHARA Machiko／On Digital Harmony：The Memorial Lecture by John Whitney an the 20th Meeting of CG Study
INA Shinsuke／Some Problems Concerning Video Art
IWAI Yoshihiro／A Hard Sailing of CAPTAIN
USHIKUBO Tadashi／Expositions and screen Design
OKADA Susumu／Les recherches sémiologiques et la psychanalyse
YAMAMOTO Keigo／The Departure for Lawless Liberty: One-man Show of PAIK
Book Reviews
KANEKO Ryuichi／IIZAWA Kotaro, “Geijutsu-Shashin” to sono Jidai
MIYAZAWA Seiichi／IIMURA Takahiko, Eizo Jikken no Tameni
No.37, 1988
Articles
KONDO Kojin／The Day of Absense Manazashi
HASEGAWA Yuko／Manet and Photography
SHIGEMORI Koen／The Manazashi of Modern Photography in Japan
INOUE Masayoshi／The Image of Moment-the Moment og Image
WANI Yoshitaka, KASHIWAGI Hiroshi／Interview；About the Development of Modern Graphism
WATANABE Masayasu／Between Art and Audience
YOSHIZUMI Takeshi／Images with Structures of Mesh—Between Graphics and Image
HATANO Teturo／An Actor’s Life and Death—The Mytholigy of Yujiro Ishihara
Book Reviews
SATO Tadao／Wim WENDERS, “Tokyo-ga“
OKUMURA Msaru／Gregory BATESON, An Analysis of the Nazi Film “Hitelerjunge Quex“ Studies in Visual Communication, vol.6 no.31
HATANO Tetsuro／Eigagaku,—The Office of Film Art Study, Graduate School, Wadeda University
No.38, 1989
Articles
ISHIDA Akira／Art and Image
KANBAYASHI Tsunemichi／The Photographs of Jackson Pollock
HABU Kiyo／Words and Pictures—About the Formation of Creative Images
TOYOHARA Masatomo／Technoligy and the Art of Image
YABU Toru／Bauhaus and the Art of Image
MATSUURA Jin／Avant-garde in photography
WATANABE Shin／A Semiotic Approach to Cinema
HASHIMOTO Eiji／Cavern, rêve, cinéma
USAMI Shozo／Proposal for a Received Lessage Model —A New Model of Communication
DEBUCHI Ryoichiro／Computer Graphics as Art
Book Reviews
KOIDE Masashi／Sadao YAMANE, Why Hiroshi Kashiwagi Now?–Encounters with Writings by Hiroshi Kashiwagi
OGASAHARA Takao／YAMANE Sadao, Film-A Mechanism of A Pleasure Device
HASEGAWA Yuko／ITO Toshiharu, Archeology in photography and Painting—Perspective, Realism and A Change of Memory
No.39, 1989
Articles
ABE Koichi／The Fundamental Structure of the works of Akira Kurosawa
KAMIKURA Tsunéyuki／L’Histoire, la façon de raconter, et le temps—Autour de la méthode de Yoshimitsu Morita—
MASUIKE Isao／A Quest of Questioning on Vision -Narrative Relation—Toyoshima’s Iconics
YAMAGUCHI Yoshiomi／Floating Eyepoints
AKAMATSU Tatsuhiko／Report on the Situation of Image Arts at International and Domestic Expositions in Japan
Book Reviews
TOYOHARA Masatomo／IIMURA Takahiko, Art in the 1980’s -Field Notes
YAMADA Kohei／KONDO Kojin, Seeng and Talking
No.40, 1990
Symposium
MUROI Hisashi, INUBUSE Masakazu, KASHIWAGI Hiroshi, TAKEDA Kiyoshi, MORIOKA Yoshitomo／Image Arts in the Post-Modern Society
Articles
YAMAGATA Hiroshi／Essai sur Cinéma I et II de G. Deuleuze
IWAMOTO Kenji／Dziga Vertov and his Advertising Films
SONÉ Sachiko／La Photographie et le cinéma chez Roland Barthes–Deux statuts des images
MATSUYAMA Fumiko／Report from Two Meetings of Society of Films held in West Germany
Chronicle of annual meeting of Japan Society of Image Arts and Sciences
No.41, 1990
Articles
MAKINO Mamoru／KONDO Yukichi (Ryuichi KANO’s Pseudonym in Kyoto era) his Critical Work in both Film and Architecture
KOGA Futoshi／The Meating of the Films act of 1939 in the Film History
CHIBA Nobuo／Image vs. Medium, an Introduction
OKUMURA Masaru／Some Points on Recording Periodicals of the Film Lecture
Heintz LATZAK／Preservation and Restoration of Films in Germany Dialogue
IWAMOTO Kenji & MURAYAMA Kyoichiro／Some Problems on the Study of Film History
No.42, 1990
Articles
ONO Yasuko／Le lieu du mouvement selon Lyotard
AKITA Takahiro／Movements in Comics and two-Dimensional Time and Space
KUROSAKA Keita／Creation of Movement in Animation Films—From my Production Notebook
YOKOTA Masao／Cognition of Movement in a FilmGA Psychological Study
MORIOKA Yoshitomo／On a Paradigmatic shift of the Expression–Conceptualism in the Innovation of Personal Information Technology
ASANUMA Keiji／Média technologiques et la diffusion de l’art
TSUZUKI Masaaki／The Image as a Figure of Enthusiasm—the Case of Akira Kurosawa ‘DREAMS‘
