国際版『ICONICS』バックナンバー
『ICONICS』VOLUME-11 2014 ￥2,000.-
ICONICS (Information)
ITAKURA Fumiaki／Editorial
OKUBO Ryo／The Magic Lantern Show and Its Spectators during Late Ninteenth-Century Japan: Control of Perception in Lantern Shows for Education and News Report of Sino-Japanese War
WASHITANI Hana／The Revival of “Gentou” (magic lantern, filmstrips, slides) in Showa Period Japan: Focusing on Its Developments in the Media of Post-war Social Movements
Contents of Back Issues of ICONICS, vols. 1-10（1987-2010）
Contents of Back Issues of Eizōgaku, No.84（2010）-No.91（2013）
Japan Society of Image Arts and Sciences
『ICONICS』VOLUME-10 2010 ￥2,000.-
ICONICS (Information)
Inubuse Masakazu／Editorial
Martin Lefebvre／Pragmatism and the Interpretation of Films
Marc Cerisuelo／La Fin du Grand Sommeil de l’Introuvable Dame du Lac
A. L. Rees／Liquid Cinema and the Watery Substance of Vision
Okubo Ryo／Kinodrama: Modernity and the Montage of Stage and Screen in Early Twentieth-Century Japan
Kanno Yuka／The “Eternal Virgin” Reconsidered: Hara Setsuko in Contexts
Ryan M. Cook／Strange Bedfellows: Hasumi Shigehiko and Ōshima Nagisa on Sex, Censorship and Cinema
Naoki Yamamoto／Where Did the Bluebird of Happiness Fly? Bluebird Photoplays and the Reception of American Films in 1910s Japan
Jonathan M. Hall／Kneeling on Broken Glass: Psychoanalysis and Japan Film Studies
Contents of Back Issues of ICONICS, vols. 1-9（1987-2006）
Contents of Back Issues of Eizōgaku, No.76（2006）-No.83（2009）
Japan Society of Image Arts and Sciences
『ICONICS』VOLUME-9 2008 ￥2,000.-
ICONICS (Information)
NAGATA Yasushi／Editorial
Victor Margolin／Representations of Ethnicity in USSR IN CONSTRUCTION, 1930-1941
Earl JACKSON, Jr.／Entertaining Otherness: Difference and Identity in Contemporary Japanese Cinema
Stephane SYMONS／Philosophy and Cinema: Siegfried Kracauer’s Theory of Film
UEDA Manabu／Child Spectators and the Modern City in the Early 1910s: An Analysis of Kisha katsudō shashinkan
KINOSHITA Kosuke／Focalization and Point of View in the Cinema
SASAKI Yusuke／La problematique postmoderne de Raymond Depardon
Contents of Back Issues of ICONICS, vols. 1-8（1987-2006）
Contents of Back Issues of Eizōgaku, No.76（2006）-No.79（2007）
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『ICONICS』VOLUME-8 2006 ￥2,000.-
ICONICS (Information)
Masakatsu KANEKO／Editorial
Francesco CASETTI／Film: The Gaze of its Age
PARK Pyung-jong／La transparence et l’opacité de l’objet visible
SATOW Morihiro, translated by Lori HITCHCOCK MORIMOTO／Representing “Old Japan”: Yokohama Shashin and the Visual Culture of the Late 19th Century
NOZAKI Yasuo／Die Lichtspieltheater als Brücke zwischen Architektur und dem Medium Film
Cobus VAN STADEN／Exporting Stories : Global Capitalism, Narrative Design and Anime
AKAI Toshio／An Entirely Political Text : A Study on Tamil Films and their Socio-Political Background
TSUTSUMI Ryuichiro／Finding an Alter Ego : The Triple-Double Structure of Brother
KURIHARA Utako／Performative and Auditory Characteristics of the Audiovisual CD Books Midnight Play and Alphabet based on Květa Pacovská’s Picture Books
Contents of Back Issues of ICONICS, vols. 1-7（1987-2004）
Contents of Back Issues of Eizōgaku, No.72（2004）-No.75（2005）
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『ICONICS』VOLUME-7 2004 ￥2,000.-
ICONICS (Information)
Ayako SAITO／Editorial
Francesco CASETTI／Film：The Gaze of its Age
Erkki HUHTAMO／Elements of Screenology：Toward an Archaeology of the Screen
Laurent JULLIER／Pour une “histoire naturelle” des styles cinématographiques
FUJIOKA Atsuhiro, translated by Lori HITCHCOCK／Function and Form in the Early Period of the Nyusu eigakan(News Movie Theater)
Michael FITZHENRY／Journalistic Film ─A Trend in Japanese Cinema in the 1920s and 1930s
FUJIKI Hideaki／Dual Persona：Onoe Matsunosuke as Japan’s Early Cinema Star
INUI Yukiko／Delivering Coal Mines：Advertising Photographic Postcards of the Coal Mining Industry in England
NOZAKI Yasuo／Kinokultur und die Entstehung der Filmkritik im Berlin der Weimar Republik
USUI Michiko／Hitchcock’s “Restricted Space”
Contents of Back Issues of ICONICS, vols. 1-6（1987-2002）
ICONICS Volume 6 (2002) Errata
Contents of Back Issues of Eizōgaku, No.68（2002）-No.71（2003）
Japan Society of Image Arts and Sciences
『ICONICS』VOLUME-6 2002 ￥2,000.-
ICONICS (Information)
Aaron GEROW／Editorial
Donald CRAFTON／Planes Crazy：Disney’s Transformations of Pictorial Space
Jean-Pierre ESQUENAZI／Qu’est-ce qu’un film?
FUJII Jinshi／Films That Do Culture：A Discursive Analysis of Bunka Eiga, 1935-1945
KITADA Rié／Sous-titres du muet：de l’art muet au parlant à travers la presse francophone
MINAGUCHI Kiseko／Yamamoto Satsuo’s Haha no kyoku（Mother’s Melody）：Making a Father’s Story of Stella Dallas
Contents of Back Issues of ICONICS, vols. 1-5（1987-2000）
Contents of Back Issues of Eizōgaku, No.64（2000）-No.67（2001）
ICONICS Volume 6 (2002) Errata
Japan Society of Image Arts and Sciences
『ICONICS』VOLUME-5 2000 ￥2,000.-
ICONICS (Information)
Aaron GEROW／Editorial
Frank KESSLER／In the Realm of the Fairies：Early Cinema between Attraction and Narration
TAKEUCHI Keiko／“The Way We Were”：Michael Balcon and Alfred Hitchcock in British Cinema
KITAMURA Hiroshi／Since You Went Away, World War II, and Classical Hollywood’s Discourse of Entertainment
OKUMURA Masaru／Über den Einfluβ der Deutschen Wochenchau auf die japanischen Nihon Nyusu während des zweiten Weltkrieges
HARA Mariko／How Far Are Japanese Wartime Newsreels Reliable Academic Sources?：A View from the Perspective of Socio-cultural Anthropology
Jerome F. SHAPIRO／The Bomb, Japanese Aesthetic Traditions, and Japan’s Most Important Film：Gojira
Scott BUKATMAN／The Boys in the Hoods：Glossing the Urban Superhero
WATANABE Aiko／Consuming Nostalgia：Screen Adaptations of British Literary Classics in Postmodernity
Contents of Back Issues of ICONICS, vol.4（1998）
Contents of Back Issues of Eizōgaku, No.60（1998）-No.63（1999）
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『ICONICS』VOLUME-4 1998 ￥2,000.-
Editorial Committee
Kiyoshi TAKEDA／Editorial
Philip ROSEN／Old and New : Image, Indexicality and Historicity in the Digital Utopia
Michèle LAGNY／Histoire sans passé: film et construction du temps historique
Mikiro KATO／Seeing Holocaust Films
Masato HASE／Cinemaphobia in Taisho Japan : Zigomar, Delinquent Boys and Somnambulism
Ayako SAITO／Madame de Melancholy
Susanne SCHERMANN／Die eigenartige Faszination des Regisseurs Naruse Mikio
Chidananda DASGUPTA／Modernism and Mythicality in the Films of Satyajit Ray
Emiko NISIZAWA／Essai sur la peinture moderne et la photographie
Table Contents of ICONICS Back Issues :
《ICONICS Vol.1-3》 （International Edition）
《ICONICS no.53-59》（Japanese Edition）
Japan Society of Image Arts and Sciences
『ICONICS』VOLUME-3 1994 ￥2,000.-
Editors
Keiji ASANUMA／Le Tombeau de Christian Metz
Marc VERNET／Le Fétiche dans la thèorie et dans l’histoire du cinéma
John BELTON／Sound Technology and Film Style
Hisashi NADA／The Little Cinema Movement in the 1920s and the Introduction of Avant-Garde Cinema in Japan
A. A. Gerow／The Benshi’s New Face：Defining Cinema in Taishō Japan
Yuji ONIKI／In Search of the Real Ozu from “the West”
Shōzō USAMI／The Making of the Interactive Multimedia Program “The Secret of Aunt Mariko”
Table Contents of 《ICONICS no.47-52》Back Issues (Japanese Edition)
Table Contents of 《ICONICS Vol. 1-2》Back Issues (International Edition)
Japan Society of Image Arts and Sciences
『ICONICS』VOLUME-2 1992 ￥2,000.-
Editor
Keiji ASANUMA／Préface
Dudley ANDREW／The Eye and the Mind of the Movies
Jacques GERSTENKORN／Cristallisations
Toru YABU／Art and Photography ─Concerning the Modern Movermint in Design
Hisashi NADA／An Aspect of the Reception of Avant-Garde Film in Japan
Susanne SCHERMANN／Die Stummfilm von Naruse Mikio ─Shōchiku-Kamata, 1930-1934
Gideon AVIVI／A Portrait of the Artist as a Feudal Democrat：on MIZOGUCHI’s Utamaro and his Five Wimen
Koichi HAMAGICHI／Getting Spots or Chronic Hay Fever：A Man Who Could Not Become a Soldier and the Home Front of Small-Town America
Futoshi KOGA／A Review of Pornographic Images in the 1970’s in Japan ─Centered around “’Nikkatsu Roman Porno Film”
Keisuke KITANO／An Examination of Busby Berkely’s Extraordinary Films of the Early 1930’s
Title Index of Back Numbers of 《ICONICS no.37-46》（Japanese Edition）
Contents from the first edition of ICONICS 1987
Japan Society of Image Arts and Sciences
『ICONICS』VOLUME-1 1987 ￥2,000.-
Editor
Keiji ASANUMA／Préface
ERRATA
Masaki KONDO／The Intersection of Mi（Me-Body）and Tai（You-Body）in Photography
Keiji ASANUMA／La naissance d’une narration：Essai d’une lecture de la première phase de l’histoire du cinéma
Michel COLIN／La Sémiologie du cinéma come science cognitive
David WILLS／Theories of Spectacle/Spectacles of Theory
Kiyoshi TAKEDA／Le cinéma auto-réflexif：quelques problèmes méthodologiques
Jacques AUMONT／La toile：l’écran, le tableau
Kenji IWAMOTO／Film Criticism and the Study of Cinema in Japan：A Historical Study
Kikuo YAMAMOTO／Ozu and Kabuki
Tadao SATO／La dialectique du jeu des acteurs et de la caméra
Kyoko HIRANO／The Banning of Japanese Period Films by the American Occupation
Title Index of Back Numbers of 《ICONICS no.1-36》（Japanese Edition）
Japan Society of Image Arts and Sciences
