Contents of Back Issues of Eizogaku
《ICONICS Japanese Edition》Nos.86-101
No.86, 2011
Articles
MASUDA Nobuhiro／A l’interstice de la photochronographie―Essai sur la pratique de Albelt Londe
HORIE Hidefumi／How TERAYAMA Shuji Treated Television: An Analysis of the TC Drama, Ippiki (1963) Discovered in the NHK Archives
Review
HASEGAWA Hajime／NAKAMURA Hideyuki, Angels of the Rubble: From Benjamin to Cinema’s Unfulfilled Dream
IWAMOTO Kenji／Abé Mark Nornes and Aaron Gerow, Research Guide to Japanese Film Studies
No.87, 2011
Articles
HASHITANI Hana／Revival of Gento in Showa Japan: Focusing on the Development in Post-war Social Movements
KONO Marie／UEHARA Ken and the Woman’s Film: the Construction of Female Spectatorship in Shochiku-Ofuna Studio of the late 1930s
TANAKA Shinpei／A Study of Specter in Theo Angelopoulos’ Megalexandros
Report
TSURUTA Takeshi／Study of “Amagigoe” (1983)
Review
NAKAYAMA Akihiko／Cinema and Technological Experience
KAWASAKI Kohei／Japanese Cinema in the Digital Age
HIDAKA Yu／Photographic Postcards of British Coal Mining in the Early 20th Century
ITAKURA Fumiaki／A Page of Madness: Cinema and Modernity in 1920s Japan
No.88, 2012
Articles
KOBAYASHI Kazuhiko／The Image Work Technique in Which Physical Operation Technology Was Applied: Consideration Based on Production of ‘Delusional Sculpture’
IWAKI Akihisa／Body as Image Processor: Divina Commedia (1991)
SUZUKI Hirofumi／Any-space-whatever and Tactility: About the Affection-image in Gelles Deleuze’s Cinema
Report
MATSUMOTO Toshio／What is the Expression Peculiar to an Image Art? ― About “The Song of Stone” (TBS, 1963)
TSURUTA Takeshi／A Study of Amagigoe vol.2
Review
KADOBAYASHI Takeshi／KITANO Keisuke, Introduction to Theories of Visual Image
KIHARA Keisho／TSUKADA Yukihiro, Cinema and Gender: Sexual Politics and War in American Film
YING Xiong／LIU Wenbing, Testimony: Exchange between Japanese and Chinese Cineastes
TAKINAMI Yuki／SUGINO Kentaro, Cinema and Nation
OKADA Hidenori／UCHIYAMA Mikiko et TAKEDA Kiyoshi (dir.), « Marionnettes japonaises: Ningyô-jôruri » : Itinéraire d’un film
No.89, 2012
Articles
KIHARA Keisho／The Legitimization of the Movies: Stanley Cavell on the Classical Hollywood Cinema
KINOSHITA Chika／Before the Revolution: Mizoguchi Kenji’s Tôjin Okichi (1930)
Report
TAKAHASHI Hideki／How Did Japanese Audience Accept Autism Illustrated in a Drama?
Review
TOEDA Hirokazu／MORIYASU Toshihisa, Cross-Media Lectures on Art
No.90, 2013
Articles
WASHITANI Hana／Gentou as “Life Document Art”: Focusing on the Gentou Activity in the Tokyo University Kawasaki Settlement
SUDOH Kentaro／Récit sans découpage: l’œuvre télévisuelle de Jean Eustache
SUGAWARA Yoshino／Toward the Opposite Side of Vulgarity: The Birth of Cinema as a “Healthful Entertainment” and the Shanghai Y.M.C.A.
KONO Marie／Ryoju (Hunting Rifle): A Paradigmatic Work of Bungei Melodrama
Report
TAKAHASHI Hideki／How Did Japanese Audience Accept Autism Illustrated in a Drama?Review
ISHIZAKA Kenji／AN Ni, A History of Film Collaborations between Japan and China During World War Two: Conflict and Negotiation
No.91, 2013
Articles
SUMII Makoto／Renoir Touch: Sur La mise en scéne des acteurs dans Swamp Water
FUJITA Junichi／Photographing Monkeyshines by Edison’s Cylinder Kinetograph
TANAKA Shinpei／Orphans’ Communities in Shinji Somai’s Films
Review
OYAMA Katsumi／HASE Masato, The Imagination of Losers: Taichi Yamada, Scriptwriter
HATAKEYAMA Muneaki／Akira Mizuta Lippit, Atomic Light (Shadow Optics)
SUMII Makoto／Raymond Bellour, Le corps du cinéma: hypnoses, émotions, animalités
BABA Nobuhiko／OGAWA Naoto, GOTO Makoto, ed., The Photographic Experiences in Japanese Socio-Cultural History
No.92, 2014
Articles
TAMADA Kenta／The Relation of Motion and Economy in D. W. Griffith’s A Corner in Wheat (1909)
KOBAYASHI Kazuhiko／An Image Expression Method That Utilizes Composition of Image Materials Created by Superimposing Image Cutouts: Consideration Based on Production of PolyPhonic, Ren-Ka-Lin-Ten, and Syu-No-Kou
Report
KIHARA Keisho／Investigating Television Programs by Film Directors: A Case Study of Azuma Morisaki
Review
IZUNO Chita／Dudley Andrew, Hervé Joubert-Laurencin eds., Opening Bazin: Postwar Film Theory and Its Afterlife
MASUDA Nobuhiro／Tomas Lamarre, The Anime Machine: A Media Theory of Animation
No.93, 2014
Articles
ENOMOTO Chikako／Early Japanese Stage Photographs: The Imanari Family Photography Collection and “Kabuki Culture”
OGAWARA Aya／Mechanics and Morality: Hitchcock’s Rope in reference to Rohmer and Chabrol
YAMAMOTO Yuuki／Radio Sounds in Thieves Like Us (1974): Sounds That Narrate a Potential Story
Review
KAWAMURA Ken’ichiro／MATSUMOTO Toshio, KANEKO Yu (ed.), Deviation of Image-Art: Expansion / Transfiguration / Experimental Mind
ITAKURA Fumiaki／UEDA Manabu, An Analysis of Early Film Spectators based on the Forms of Film Exhibition: Focusing on the Cases in Tokyo and Kyoto
WASHITANI Hana／MIWA Kentaro, Comics and Cinema: The Theory of Frame and Time
USUI Michiko／SUGINO Kentaro, Cinema and the Other Media: Animation, Cinema, and Literature
WATANABE Daisuke／Lev Manovich, The Language of New Media
MISONO Ryoko／John Mercer, Martin Shingler, Melodrama: Genre, Style, Sensibility
TAKEDA Kiyoshi／D. N. Rodowick, Elegy for Theory
No.94, 2015
Articles
KAWSAKI Keiya／The Eyes of Specters: The Problem of Viewpoint in Orson Welles’s The Magnificent Ambersons
Review
HATANO Tetsuro／TOMODA Yoshiyuki, Postwar Avant-garde Pictures and Literature: Abe Kobo × Teshigahara Hiroshi
YOKOHAMA Yuji／SHIMURA Miyoko, Kikuchi Kan: A Man of the Cinema
WADA Shin’ichiro／SHIBATA Takashi, McLuhan and his Media Theory: The Aggregation of Ideas on the Body
CHO Shinmin／YANLI HAN, Beyond National Cinema: Overseas Chinese Cinema and National Identity
KINOSHITA Chika／KITAMURA Hiroshi, Screening Enlightenment: Hollywood and the Cultural Reconstruction of Defeated Japan
SUDO Kentaro／MIURA Tetsuya,What Is Cinema?: A History of the Cinematic Thought in France
YING Xiong／HORI Junji, SUGAWRA Yoshino,A History of Transnational Cinema
Ciné-Anthropology: Toward a New Practice of Anthropology
HASE Masato／Miriam Bratu Hansen, Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno
No.95, 2015
Articles
KONDO Kazuto／Communicative Space in / about Movie Theaters: On the Logic of the Mode of Exhibition during the 1920’s in Japan
YAMAMOTO Yuuki／Hybrid Narration and Sounds of Film: Loudspeaker in M*A*S*H (1970)
Review
FUJITA Shuhei／Edited by Yu Kaneko, Shiho Azuma (supervised by Chihiro Minato), Authors: Inuhiko Yomota, Junji Hori, Takashi Monma, Yu Kaneko, Takaatsu Yanagihara, Hidenaga Otori, Shiho Azuma, Takashi Echigoya, Hidenori Okada, Fumio Chiba, Chihiro Minato, Chris Marker, cinéaste nomade et engagé
No.96, 2016
Articles
WASHITANI Hana／From Manchuria to Chikuho: Traffics of “Agents” around “Gentō” Film Senpuri Senji Laughed! (1956)
HATOKAI Mio／Nikkatsu Roman Poruno and Female Spectatorship: A Case Study of A Woman Called Sada Abe
TAMADA Kenta／The Confrontation of Desires: The “Neurotic Waltz” in Vincente Minnelli’s Madame Bovary
KITAMURA Kyohhei／The Star Actress Reconstructed by Japan’s Defeat: The Star Persona of Hara Setsuko in the Occupation Period
TAKAGI Yukari／Lucy on the Road: The Relationship of the “Vehicle Gags” and the Narrative Form in I Love Lucy
EMOTO Shiori／Photography as an Active Process: From a Viewpoint of the Correlation between Photograph and Context
Review
KITAKOJI Takashi／NAKAMURA Hideyuki, Gestures of the Defeated: Japanese Films in the Post-Occupation Period
FUJII Jinshi／KAWASAKI Kohei, Kurosawa Kiyoshi and the Cinema of Dis-conjunction
KUSAHARA Machiko／OKUBO Ryo, Archaeology of Screens in Early Modern Japan
NAKAYAMA Akihiko／Eric Rohmer, Claude Chabrol, Hitchcock
OKUBO Ryo／Charles Musser, Edison and the Age of Motion Pictures
No.97, 2017
Articles
NAKANE Wakae／Constructing an Intimate Sphere through Female Bodies: Kawase Naomi’s Films as Women’s Self-documentary
KIHARA Keisho／The (Un)expected Secrets of Psycho: Alfred Hitchcock Presents and Film Audiences
KATAOKA Yusuke／The Construction of the Innocent Victim: The Asynchronous Voice of the Female Teacher and the Silence of the Leukemic Girl in Children of Hiroshima and Hiroshima
FUJITA Shuhei／The Historical Roots of the Regional Film Festivals and Their Publicness
Review
HIRANO Kyoko／ITAKURA Fumiaki, Cinema and Immigration
TAKI Kentaro／OIZUMI Kazufumi, CTG: a pioneer of computer art
NAKAMURA Hideyuki／André Bazin, HORI Junji, Orson Welles
HAYASHIDA Arata／AOYAMA Masaru (ed.), The Pencil of Nature
KANNO Yuka／Daisuke Miyao (ed.), The Oxford Handbook of Japanese Cinema, Oxford University Press, 2014.
No.98, 2017
Articles
FUKUSHIMA Kanako／Tsurubuchi-Gentôho (The Magic Lantern Shop Tsurubuchi): Unorganized Media as Social Pedagogy
MASAKIYO Kensuke／Off-screen Voice in Yasujiro Ozu’s The Flavor of Green Tea over Rice
TAMADA Kenta／A Community Based on Minor Languages: Sign Language and Its Function in Johnny Belinda (1948)
Review
HATAKEYAMA Muneaki／KINOSHITA Chika, Mizoguchi Kenji: Aesthetics and Politics of the Film Medium
ITAKURA Fumiaki／YAMAMOTO Kikuo, OKUMURA Masaru, SAZAKI Yoriaki, Intertextuality in Japanese Films: A Study of Comparative Cinema
HAN Yanli／Liu-Wenbing, A History of the Interrelations between Japanese and Chinese Films
SAIKI Tomonori／HATORI Takafusa, The Popular Imagination of Japanese Cinema
UEDA Manabu／OGAWA Sawako, The Foetal Movements of Cinema: A Comparative Film History of the 1910s
No.99, 2018
Articles
HAYAKAWA Yuma／The Existence of White: The Body of Curtis/DeSalvo in Richard Fleischer’s The Boston Strangler
MANABE Koki／The Function of Special Effects in Rodan (Sora no daikaiju Radon): The Aspects of “Cinema of Attractions” in Kaijū Eiga (monster movies)
FUKUSHIMA Kanako／Film Frame Collection and its Culture in the Period of Taisho and Early Showa
Review
SHIMURA Miyoko／NAKAMUR Hideyuki, The Genealogy of “Kamikaze” Films: Mourning Plays of the Defeated Japan
KADOBAYASHI Takeshi／MASUDA Nobuhiro, The Scientist’s Retina: Visualizing the body in France, 1880-1910
MIURA Tetsuya／HASE Masato, Sociology of Visual-Imagery Media
TOEDA Hirokazu／NAKAMURA Miharu, Cinéma et littérature : les imaginations symphoniques
No.100, 2018
FORWARD
Kiyoshi TAKEDA,“Only one who knows yearning”: For the 100th Issue of Eizōgaku
ARTICLES
Noriko MORITA, Transforming the Production Site:“Documentary,” Praxis, and Wartime Japan.
Makiko KAMIYA, “Bodies” Hidden or Exposed: Considerations on early “Imperial Movies”
Izumi YOSHIMURA, Cinema Meets Social Purity: British Film Censorship and the National Council of Public Morals
Hirofumi SUZUKI, Fluctuating Affects, Modifying Bodies in Cassavetes’s films: Another Spinozian-Deleuzian Cinematic Body
Mio HATOKAI, From Nikkatsu New Action to Nikkatsu Roman-Porno: Continuity during Transition in the Films of Hasebe Yasuharu
REVIEW
Ayako SAITO, MISONO Ryoko, Voices of the Cinema: On the Post-War Japanese Cinema
Yosaku MATSUTANI, HASE Masato, Vernacular Modernism in Visual Cultures
Yu HIDAKA, SASAKI Yusuke, L’Espace du discours de la photographie du XXe siècle
Keisho KIHARA, David Bordwell, The Rhapsodes: How 1940s Critics Changed American Film Culture (University of Chicago Press, 2016)
BACK ISSUE
Back Issue: Kikan Eizō, Eizōgaku
Back Issue: ICONICS
No.101, 2019
ARTICLES
Kentaro OGURA, The Expansion of Manga Film: from Momotaro’s Sea Eagles to Momotaro: Sacred Sailors
Yuri HANDA, Indigenous People and Women as the Other: The Style of Colonial Representations in Manchuria Graph
Hiromi SAIKA, The Spectacle of Falling and Repetition: Corporeality and Figuration in Project A and Police Story
Shuhei FUJITA, On the “Movement” Cinema: The Ten Feet Movement and the Discourse of Citizens
Yoshinobu TSUNOO, Lying on a Flat Plane as a Method to Recording: Minoru Shibuya’s “Film of Manners,” School of Liberty , and “Despondency” after the Japanese Defeat
Shimpei OTANI, Teshigahara Hiroshi’s Hokusai as a Burgeoning Cinematic Quest for “Shutai (subject)”: A Comparative Analysis with Takiguchi Shuzō’s version
Kanako FUKUSHIMA, Actual Conditions and diversity of the Toy Film Industry: Lion, Haguruma, Kujyaku, King (Maruai), Asahi-Katsudo and Daimai-Kinograph
Dai HIRANO, Roles and Meanings of Silk Hats in The Prestige : The Degree of Affinity between Magicians and Silk Hats
REPORT
Kenichiro HASE, Junji HORI, On the Discovery of Inabata Katsutaro’s Four Letters to Lumière Brothers
REVIEW
Yuuka KANNO, KITAMURA Kyohhei, Cultural Sociology of Female Stars: Desiring the Madonna and Vamp in Postwar Japan
Minori ISHIDA, KITAMURA Kyohhei and SHIMURA Miyoko, The Creativity of Remakes
Hidenori OKADA, ISHIHARA Kae, History of Film Archiving in Japan
Aya OGAWARA, OKUBO Kiyoaki and HORI Junji (eds.), Cahiers André Bazin,Vol.1, 2017. HORI Junji, IZUNO Chita, SUMII Makoto (eds.), Cahiers André Bazin, Vol.2, 2018.
Makoto SUMII, Pedro Costa and TSUCHIDA Tamaki(eds.), Walk, Look, Wait: Lectures on Cinema by Pedro Costa
